Last week, a writer contacted me to ask about WriterPitch.com,”a website that blends the worlds of literary agents and writers under one roof.”
You’ll have the ability to have your pitch/pitches read by hundreds of literary agents. With the click of a button an agent can request your manuscript and instantly an email will be sent to you as well as a notice to your homepage….
As an agent you’ll have the ability to search through pitches by specific genres. With the click of a button a request of materials will be sent to any pitch you like, this request letter will be completely customized by you as a field in your personal profile.
The question the writer wanted to ask me was whether WriterPitch’s Terms and Conditions posed a problem, specifically the User Content clause:
You grant to WriterPitch.com a worldwide, irrevocable, non-exclusive, royalty-free license to use, reproduce, adapt, publish, translate and distribute your user content in any existing or future media. You also grant to WriterPitch.com the right to sub-license these rights, and the right to bring an action for infringement of these rights.
I told her that this language was not ideal–it’d be preferable if the license were limited to operation of the service–but that it’s also very common. You’ll find similar language on just about any website that accepts user content. It’s not intended to enable the site to rip off users’ intellectual property, but to allow the site to operate online.
Such language is a concern, and if you’re going to participate in a website whose Terms include it, you need to understand it and its implications. With WriterPitch, however, there’s a much more pressing question.
Will agents use it?
Manuscript pitch websites, a.k.a. manuscript display sites or electronic slushpiles, often present themselves as new! Revolutionary! Disruptive! Truth is, they’ve been around for as long as I’ve been doing Writer Beware (more than 15 years now–gulp).
First appearing in the late 1990s, they were billed as writers’ Great New Hope for getting around the antiquated system of gatekeepers. Problem was, agents didn’t take to them. By the turn of the century, most were defunct. The earliest and biggest, Authorlink, survives only as a publishing service.
Over the years, many iterations of the same idea have surfaced. I’ve written about some of them here (Agent Inbox, AuthorForSale, Publishers Desk, Agent Artery). Other examples (and looking through my list, I had trouble finding ones that were still alive): The Author Hub, First 3 Chapters, TV Writers Vault, Inkubate.
All these sites are selling a dream: of access, of a shortcut, of a magic ticket that will somehow transform the world of publishing from a buyer’s market, where agents pick and choose, into a sellers’ market, where agents come to you.
But this was a fantasy in 1998, and it’s a fantasy now. I have never seen a pitch site that is able to show evidence that reputable agents regularly use it. Agent Inbox, for instance, which boasts a large roster of agents and has been around since 2009, cites just one success story. Others cite none at all.
Unconvinced? I reached out on Twitter to ask agents whether they would use a website like WriterPitch.
The response was unanimous: No. (Scroll down to the bottom of this post for screenshots of agents’ tweets). Some feel it’s extra work they don’t have time for–they’re already awash in queries, why go looking for more? Others have no interest in a website full of pitches unvetted for quality. Still others point out that just as writers are looking for agents who get them, agents are looking for writers who want them. They prefer writers who target them specifically, rather than tossing a pitch out into the world for anyone passing by.
Another concern: even if pitch websites (or pitch events–#pitmad or #tenqueries, for instance) draw reputable agents, they may also draw inexperienced or questionable ones. There are some excellent names on WriterPitch’s tiny list of member agents, but there are also some with iffy track records, or from fledgeling agencies that haven’t yet made any sales. An agent contact you receive as a result of a pitch site listing may not be the kind of contact you’re really looking for.
WriterPitch founder Samatha Fountaina says that WriterPitch aims to become more than just an author-agent matching service. “It’s all about helping each other,” she told me in email, “and giving writers a place to concentrate their web presence with a personal writers profile, their pitches, and blog posts about writing. Writers can even see how many page views their blog posts or pitches have received. This site is brand new and is evolving and that’s in part because of the amazing writers that are part of WriterPitch. We hope to grow into something that writers look to.”
Time will tell. In the meantime, unlike some other pitch sites, WriterPitch appears to be free. So there’s probably no harm in using it. But if you do, don’t pin all your hopes of finding an agent on it–and definitely don’t stop querying the old-fashioned way.
EDITED 3/12/15 TO ADD: Writers take note: WriterPitch’s Terms currently don’t include any provisions for terminating your account and removing your material. Samantha has informed me that these will be added soon.