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Bartz v Anthropic: Find Out if You May Be Part of This Class Action

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Almost exactly a year ago, a group of authors filed suit against AI company Anthropic over its creation of an enormous library of digitized books to train its Claude LLMs. In addition to purchasing and scanning physical books (a la Google for its Google Books project), Anthropic also downloaded thousands of books that had been illegally uploaded to pirate sites, copying them multiple times for use in AI training.

Anthropic did not seek authors' permission for any of this, arguing (as most AI companies do) that appropriating copyrighted material for AI training is fair use. The authors who brought the suit disagreed, arguing that Anthropic's unpermissioned compiling and copying of their work constituted copyright infringment. (You can see the original complaint here.)

This past June, the judge in the case issued a mixed ruling, determining that while Anthropic's digitzation of physical books, and its employment of its digitized library for AI training, both fit the four factors necessary to qualify as fair use, its downloading of pirated copies did not, and justified a trial on that issue. On July 17, 2025, the judge certified a class of LibGen & PiLiMi Pirated Books authors (LibGen is pirate site Library Genesis; PiLiMi is pirate site Pirate Library Mirror). The class consists of:

Return of the Nigerian Prince: A New Twist on Book Marketing Scams

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Marketing scams have always been plentiful. Over the past year or so, though, they've really surged.

I've written about one type of marketing scam--the "friendly author" social media scam, in which someone impersonating a real (and often very well-known) author reaches out with a direct message, ostensibly because they're interested in your books or your writing, but actually in order to refer you to some sort of shady marketing service.

Now there's a new type of marketing scam. It has the same starting point--direct solicitation--and the same end goal--tricking writers into handing over money. The new part is the steps that happen in between.

Contract Controversy (and Change) at Must Read Magazines

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In a surprise move this past February, a new group called Must Read Magazines acquired five well-known genre magazines: Asimov's Science FictionAnalog Science Fiction and FactThe Magazine of Fantasy & Science Fiction, Alfred Hitchcock's Mystery Magazine and Ellery Queen's Mystery Magazine.

With the exception of Fantasy & Science Fiction, which was owned by Gordon Van Gelder, the magazines previously belonged to Penny Publications (which retains its large stable of puzzle and crossword magazines). The magazines' existing staffers have been retained by the new owner, and the magazines will continue to publish in print.

Per reporting in Locus Magazine, Must Read "is financially backed by a small group of genre fiction fans" headed by Steven Salpeter, formerly a literary agent at Curtis Brown. The magazines' new mastheads describe Must Read Magazines as a division of Must Read Books Publishing, which in turn is a division of 1 Paragraph Inc., a company incorporated in Delaware in May 2024 and registered in Florida in January 2025. Nearly five months after the acquisition, Must Read Books's website is still a placeholder, with a generic URL (bookpublishing.center) and a Norfolk VA address.

When an Interview Isn’t Exactly What It Seems: NewYox Media and Its Suite of Magazines

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A few months back, I began getting questions about emails like this one, from a UK-based magazine called Reader's House:

What author wouldn't be excited by an invitation to interview in a seemingly established and reputable literary magazine (even if they'd never heard of it before)? Those who responded received a followup like this one (the emphasis is mine):

For authors whose inboxes are stuffed with pay-to-play interview offers, this will seem like a welcome change. And indeed, the interview really is free...and it's a real interview, with questions personalized to the author and their book (which is why I've redacted them in the example above).

Moral Rights: What Writers Need to Know

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Today I'm writing for SFWA's online magazine, Planetside (formerly the SFWA blog) on a subject many writers--especially in the USA--aren't familiar with. Enshrined in most countries' copyright laws, moral rights provide important protections that many writers don't really think about...until they are asked to relinquish them.

In addition to various economic rights, such as the ability to license and profit from the use of their original work, the Berne Convention (the international source for copyright law) affirms creators’ moral rights.

Moral rights are intended to protect authorship, primarily by ensuring that a creator’s work is published or disseminated with their name—the right of attribution—and that the work can’t be altered or modified in ways that would be deleterious or prejudicial to the author or to the work itself—the right of integrity.

Why the Bankruptcy Clause in Your Publishing Contract May Not Protect You

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I'm blogging at Writer Unboxed again today.

Bankruptcy.

When you’re considering a publishing offer, the possibility that your publisher will go bankrupt probably isn’t top of mind. And indeed, publisher bankruptcies aren’t very common. Publishers frequently fail or close, but bankruptcy takes time and costs money, and makes a business accountable to its creditors. Especially where there have been shady dealings, troubled publishers often prefer to just disappear.