I’ve written before about Author Solutions’ relentless efforts to get authors to buy the company’s “marketing” services. Here’s an example that was recently passed on to me (with the author’s name and other identifying information redacted). Note the poor quality of the English (a lot of AS’s staff are in the Philippines; English is aRead More
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Self-Publishing and Author-Agent Agreements: The Need for Change
Earlier this week, I ran across a blog post by best-selling author Claire Cook about the process by which she decided to become a hybrid author, ditching her high-powered agency in the process. It's an interesting story--but what really caught my eye was this:
And then one day on the phone my agent informed me that in order to continue to be represented by this mighty agency, I would have to turn over 15% of the proceeds of my about-to-be self-published book to said agency. Not only that, but I would have to publish it exclusively through Amazon, because the agency had a system in place with Amazon where I could check a box and their 15% would go straight to them, no muss, no fuss.
I've warned in the past about interminable agency clauses in author-agent agreements (language through which an agency claims the right to remain the agent of record not just for the duration of any contracts it negotiates for your book, but for the life of the book's copyright). One of the many concerns raised by such language is what happens if you want to self-publish backlist books that the agency originally sold for you. With an interminable agency clause, might your agency feel entitled to a share of your self-publishing income?
Warning: Green Shore Publishing
If you've encountered Green Shore Publishing, you might be intrigued by an enterprise that describes itself as "The UK and Ireland's New Standard in Book Publishing," and touts both its success and (in the little video on its home page) its extreme selectivity.
But wait: Green Shore Publishing isn't exactly what it seems.
First clue: the Packages page, where you learn that you must pay between £300 and £1,500 for the privilege of publication. OK, so not really a publisher, then.
On Trolls and Fake Bad Reviews
We've all read about the abuse of reviews on Amazon and Goodreads.
I'm not talking about soliciting your friends to write glowing testimonials for your books, or buying five-star reviews in batches from paid review services. I'm talking about people who post bad reviews for revenge, punishment, or intimidation. And there's a lot of that kind of thing out there, from angry readers one-starring ebooks whose prices they deem too high, to academic authors employing fake names to slag their rivals, to (alleged) packs of bully reviewers on Goodreads (Goodreads actually changed its review policies in response to this perceived problem).
I recently had the chance to experience review abuse for myself.
Agenty Advice to a Hopeful Writer, From a Non-Agent
Dear Hopeful Writer, Today I received your snail mail query, beginning: Dear agent, I am seeking your representation on my [title redacted] novel. It has 600,000 word count, with the theme: betrayal, revenge, suspense, la femme Nikita, romance, mystery, women fiction, detective and blackmail. Please consider this well-meant advice. – Oh dear. You formatted yourRead More
Time to Bury the Hachette
It’s a tough time to be an author advocacy organization. As you may or may not know, Science Fiction and Fantasy Writers of America (SFWA) has been catching a lot of flak about signing on to Douglas Preston’s letter asking Amazon to stop treating Hachette’s books differently from those of the other big publishers byRead More




