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Almond Press Redux: Revenge-Rating a Critic

Last week I wrote about Neoglyphic Entertainment, which responded to criticism of the rules of its Neoverse writing competition by engaging in productive dialogue and ultimately making the rules more author-friendly.

Not everyone in the small press world is so open to change. In my experience, and that of the countless authors who've contacted me about their publisher troubles, small presses are at least as likely to react to critiques of their contracts or business practices with defensiveness and anger. Or even, sometimes, attempts at retaliation.

Case in point: Almond Press, whose short story competition I featured here last July. Essentially, the competition was a way for Almond to gather free material for an anthology--the competition winner received a cash prize but none of the other entrants received any payment other than "exposure." (The anthology lineup can be seen here.) I wrote,

Neoverse Writing Competition Makes Its Rules More Author-Friendly

For the past couple of weeks I've been getting inquiries about the Neoverse Short Story Writing Competition, sponsored by Neoglyphic Entertainment.

The competition is free to enter--always a good thing--and offers cash prizes as well as anthology publication for the winners. But there was a problem: the Official Rules, which included a number of author-unfriendly provisions. All entrants were required to grant exclusive publishing rights, even though only the best 20 would be included in the anthology. While the top 10 entrants received cash prizes, entrants 11-20 got no payment at all. And Neoglyphic retained a right of first refusal for entered stories that received other publishing offers--not just an overly sweeping claim, but a conflict with the exclusive grant of rights.

I've devoted a lot of blog space to bad contest terms, but given the lure of writing contests, it's a subject that never goes out of style. I was preparing a post on the Neoverse competition when I received an email from Neoglyphic's co-founder and COO, David Ramadge, introducing himself and his company and asking for feedback. I sent back a list of questions...and to make a long story short, David and his colleagues--who were already working to change things based on advice from other experts--have re-written the rules.

Signing Away Your Rights: Arbitration Clauses in Book Contracts

Header image: the word ARBITRATION painted on black brick wall surrounded by doodles: scales of justice, gavels, handcuffs, hourglasses (credit: depositphotos / Shutterstock.com)

Recently, the New York Times published a fascinating three-part series of articles on arbitration clauses, and how such clauses "buried in tens of millions of contracts have deprived Americans of one of their most fundamental constitutional rights: their day in court." (You can also listen to an interview with the articles' author on NPR.)

The articles deal mainly with consumer and employment contracts, in which, according to the Times, arbitration clauses have created "an alternate system of justice" where "rules tend to favor businesses, and judges and juries have been replaced by arbitrators who commonly consider the companies their clients." But arbitration clauses are increasingly common in publishing contracts, too--as well as in the Terms of Use of some major self-publishing platforms. And most authors don't understand their implications.

Here's one example, drawn from a contract I saw recently:

Guest Post: Imitation is Much More Than Flattery

I've been scarce around here over the past few months. As I mentioned in my blog post of July 26, I've been coping with a family medical emergency that has gobbled up much of my time and strength. But I'm glad to say that my mother is doing better, and things are less frantic for me and my family. At least for now.

I don't know what the future will bring--there is only one direction in which the situation can go, and there are certainly more emergencies to come. So I may disappear again for a while. But for the moment, I'm back, on social media (mostly Twitter, and to a lesser degree on Facebook) and this blog.

This week I've got another great guest post from author and writing teacher Barbara Baig, who explains why imitating the styles and techniques of writers you love can be a terrific learning tool.

Author Solutions Class Action Lawsuit Settled

A class action lawsuit against Author Solutions Inc. has been settled and discontinued.

Filed in April 2013 by law firm Giskan Solotaroff Anderson & Stewart, LLP against ASI and its parent company, Penguin Group, the suit alleged breach of contract, unjust enrichment, various violations of the California Business and Professional Code, and violation of New York General Business Law. Penguin was later dismissed from the case, along with some--but not all--of the claims against ASI.

The case proceeded to discovery, and in February of this year Giskan Solotaroff filed for class certification. On July 1, Judge Denise Cote denied certification. The parties then proceeded to settlement, which apparently has been reached, because on August 12, Judge Cote ordered the case to be discontinued.

Beware Social Media Snake Oil

This week I've got another great guest post for you, from marketing expert Chris Syme.

We writers have all heard that we "have" to be on social media, which is presented to us--both by experts and the not-so-expert--as the Holy Grail of marketing and self-promotion. But apart from the thorny questions of which platforms to use (Twitter? Facebook? Pinterest? Some of them? All of them?), and how to use them (How often should we post? What's the proper mix of friendly interaction and self-promotion?), there's the problem of "services" that want to exploit our confusion to rip us off.

Read on for solid advice on how to separate the worthwhile from the worthless, and warnings about some common social media scams.