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Almond Press Short Story Competition: Writing for “Exposure”

In my last blog post, I discussed how to recognize and avoid profitmaking writing awards--fake awards that exist not to honor writers, but to enrich sponsors. If you're looking to win writing awards and enter writing competitions, though, the profiteering fakers aren't the only risk you face.

For instance...the short story competitions run by Scotland's Almond Press.* Almond's output is tiny--founded in 2012, it has published just three anthologies of stories collected from its annual competitions--but it boasts some impressive sponsors, including Booktrust UK and the University of Stirling, as well as a nice website and attractively-designed book covers. Its contests have no entry fees, and there's a 100 GBP prize for the winner, who is also promised "Exposure and publicity via our online presence".

Its Terms and Conditions, however, stink.

Finding Authors: The Importance of Establishing an Online Licensing System for Copyrighted Works

“Discoverability” is a key component of any such system, which requires not only that works must have unambiguous identifiers, but that the identifiers point unambiguously to the authors of the works rather than to publishers. Any such system must also recognize that the author is the best, and in many cases only, source of information about the ownership of rights. More and more books are self-published; publishing companies aren’t involved at all, and any system that relies on them will be incomplete. A publisher-centric system will also assign rights incorrectly, especially considering that publishers have begun to claim ebook rights for works even though the contracts for those works do not mention them.

SFWA has been interested in developing a way to find authors for a long time. The failed Google Books Settlement and subsequent developments call into question what an orphan work is. If a defining characteristic is that the author can’t be found, clearly, then, a system that facilitates finding authors is necessary before works can definitively be declared orphans.

SFWA has made recommendations concerning orphan works to the Copyright Office several times now, focusing on the creation of a national Author Information Directory (AID), a database that would function as the source of unambiguous identifiers for authors as well as provide contact information for negotiations about licensing rights. SFWA feels that creating this database should be left to government rather than for-profit entities, and that a database that allows direct updates from the authors themselves would be well within the Copyright Office's capabilities.

Scam Alert: Raider Publishing International

In 2012, I posted a warning about Raider Publishing International. Founded by former (and disgruntled) PublishAmerica author Adam Salviani, and presenting itself as an independent publisher, Raider is basically a publishing service (not a publisher) in the Author Solutions mold, with some added (and highly dubious) bells and whistles.

Raider began to become a problem in 2012, with mounting author complaints. Here's what I wrote at the time:

Over the past few months, I've begun receiving a steady trickle of complaints about Raider, where before I only received questions. I'm not the only one; as a result of the negative feedback he's gotten from Raider authors, Mick Rooney of The Independent Publishing Magazine has revised his once-positive review of Raider to "not recommended." Other complaints can be found online--at Ripoff Report, for instance, and Scam Informer (I always take websites like this with a grain of salt, but in this case the complaints are quite consistent, and the problems reported reflect the reports I've been getting).

Amazon Takes On Fake Review Services

The actual impact of four- and five-star reviews on Amazon and other retailers' websites is a matter of ongoing debate, but their perceived importance is not.

Which explains why, if those reviews aren't accumulating on their own, there's a quick fix--as long as you're willing to hold your nose and open your wallet. Throw a virtual rock these days, and you'll probably hit a service that, for as little as five dollars, will create a glowing review of your product and post it online--even if the reviewer has never used or even looked at your product.

Authors are as vulnerable to the lure of the quick publicity fix as anyone else (perhaps even more so, given the crowded book marketplace and the struggle for discoverability). One of the most infamous examples of book boosting by dubious means is self-publishing superstar John Locke, who, as one of his publicity strategies, bought hundreds of book reviews from a service called GettingBookReviews.com. And Locke wasn't the only one. According to the New York Times, GettingBookReviews sold over 4,500 reviews in its relatively short career.

The Strange and Twisted Tale of Peter Senese, Serial Con Man

Photo of Peter Senese looking dapper in a beige jacket and tween scarf, standing in a parklike setting surrounded by fallen leaves and trees with autumn foliage

Since at least 2013, SENESE allegedly defrauded parents whose children were victims of international abduction by falsely representing that he, working with the worldwide resources of I CARE, could rescue their children and return to them to the United States in exchange for money for his purported rescue operation expenses.

Senese allegedly conned over $50,000 from one parent of a lost child, and is charged with one count of wire fraud (the criminal complaint can be seen here). He was arrested and arraigned March 31, and is currently free on bail.

Okay--but what, you may be wondering, is Peter Senese doing on Writer Beware? Well, before he started preying on desperate parents, he ran an elaborate literary scam.

Naughty-No-No! E-reading App Keeps Young Minds Pristine

If you follow publishing news, you're probably aware of the recent controversy over Clean Reader, a reading app that scrubs ebooks clean of curse words and profanity.

Now, in a step toward the future of interactive digital media, bold start-up Inkadinkadu has partnered with a number of major ebook distributors to produce and distribute a new reading app, called Naughty-No-No!.

Starting where censorship app Clean Reader leaves off, Naughty-No-No! allows readers to make any ebook capable of being read and enjoyed by pre-schoolers down to the age of three. “If they can read, they can read with Naughty-No-No!,” said Inkadinkadu head honcho Jimmy Duranceville, “and, if they can’t read yet, the app will read the book to them in a voice modeled after the legendary stage and screen actress Shirley Temple Black during her famous child actor years."